Past
Grantees

Todd Chandler received $30,000 in support of UNTITLED SAFE SCHOOLS PROJECT. UNTITLED SAFE SCHOOLS PROJECT explores the landscape of 21st century school safety in the United States, illuminating the complex ways in which we as a nation struggle to understand and prevent violence, and endeavor to create safer schools.

Winnie Cheung received $7,000 in support of What If, a silent short dance film which reimagines the Christian myth of creation. After stumbling upon The Garden of Eden, The Fool discovers two mystical creatures that identify as neither Man nor Woman.

Christina Choe received $30,000, in support of NANCY. A psychodrama about love, intimacy and trust, NANCY centers on a woman who blurs lines between truth and fiction and becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief—and the power of emotion threatens to overcome all rationality.

Council on Foundations, Arlington, Virginia, received $29,200 over two years for membership in 2017 and 2018.

DataArts (Cultural Data Project), Philadelphia, Pennsylvania, received $14,000 over two years for general organizational/membership support  and DataArts activities in Minnesota and the five boroughs of New York City for 2017 and 2018.

The artist will travel to Germany to do research for her project "Refuge," a series of photographs of the new domestic situations in which refugees and Germans find themselves in and around Berlin.

Stefan Forbes received $30,000 in support of Hold Your Fire. Hold Your Fire tells the story of how, in January 1973, Shuaib Abdur-Raheem and three fellow Sunni Muslims attempted to steal guns for self-defense but were interrupted by the NYPD. A bloody gun battle killed an NYPD officer and set off the longest hostage siege in NYPD history. Over 47 tense hours, NYPD police psychologist Harvey Schlossberg became the inventor of modern hostage negotiation.

Brooklyn Arts Exchange, Brooklyn, New York, received $24,000 over two years as fiscal sponsor in support of Marjani Forté & Works' (New York City) development and production of Memoirs of a….Unicorn.

Foundation Center, New York City, received a two-year grant of $5,000 in support of services for grantmakers in 2018 and 2019.

Franconia Sculpture Park, Shafer, Minnesota, received $39,000 in support of the 2018 Emerging Artist Fellowship Program, providing residency and installation opportunities to six emerging three-dimensional artists from Minnesota and New York City to create large-scale sculpture to be exhibited at Franconia's 43-acre sculpture park.

The artist will travel to the Venice Art Biennale, Documenta 14, Sculpture Project Munster, EKSIG Alive. Active. Adaptive Conference, and Dutch Design Week. Collectively, these experiences will help her gather information about contemporary art, design, and materials in order to inform her works going forward.

Grantmakers in the Arts, Bronx, New York, received a two-year grant of $22,000 in support of programs, services, and annual membership for 2018 and 2019.

Stephanie Griffin, New York City, received $20,000 to support her research with composers and instrumentalists and work on several new compositions. She will complete her composition of The Lost String Quartet, an original theatrical string quartet performance piece based on N.M. Bodecker’s delightful illustrated children’s book in collaboration with the Mexican theater director Fernando Villa Proal and experimental instrument builder Michael Evans. She will also finalize her composition and score of Greener Hills, recently commissioned by Daniel Goode and his Flexible Orchestra and begin work on a new graphic score for Walter Ruttmann’s film Lichtspiel Op. 1.

The artist will travel to New York City to attend the Funny School of Good Acting for a four-week intensive advanced clown workshop as a continuation of work undertaken in 2015 with instructor Christopher Bayes.

The artist will travel to Berlin for intensive interview-based research in preparation for a series of works about the displacement of Syrian refugees, and Berlin's changed role as a destination for refugees rather than a place to flee.

Abrons Arts Center, New York, New York, (the performing and visual arts center of Henry Street Settlement) received $21,000 in support of three commissioned projects by emerging performing artists in 2017-18. The selected choreographers receive a year of residency time to develop and present new work.

The curator will strengthen and deepen her practice through an immersive study of the Syzygy collection of works on paper, traveling to New York City, and Boulder and Denver, Colorado, to study it in various contexts—in archive and in exhibition.

The artist would take part in the Arctic Circle Residency to engage in climate-related issues and build on the collaborations between other professionals in order to create tools that could enrich the public's experience of visiting the NYC Watershed model at the Queens Museum (where she current works).

The artist will travel to Xiamen, Beijing, and Shanghai, China to meet relatives and study Chinese culture in order to expand knowledge of Chinese culture and tell more authentic, resonant mixed-race stories.

Ibrahim will travel to London, England to attend the Somali Week Festival, meeting with leaders in the Somali community and prominent Somali artists and learning about work happening in Somali diaspora communities in other parts of the world.