Past
Grantees

Led by Brazilian dancer/ choreographer Leonardo Sandoval and composer Gregory Richardson, Music From The Sole is a tap dance and live music company that celebrates tap's Afro-diasporic roots, particularly its connections to Afro-Brazilian dance and music, and lineage to forms like house dance and passinho (Brazilian funk). Their work embraces tap’s unique nature as a blend of sound and movement, incorporating wide-ranging influences like samba, passinho, Afro-Cuban, jazz, and house.

As part of their mission to bring tap dance to new audiences, they have appeared at both music and dance venues, including Lincoln Center, Jacob’s Pillow, Caramoor Jazz Festival, Kaatsbaan, and The Yard. They were recently commissioned new pieces by Works And Process at the Guggenheim.

They are committed to creating more opportunities for fellow BIPOC and immigrant artists, and through partnerships with organizations like the National Dance Institute and Lincoln Center Education, to inclusive, impactful, and lasting community engagement.

Christopher “Unpezverde” Núñez is a Costa Rican/American artist working in the fields of choreography, film, installation, and sound. Núñez is a Mellon Foundation Grant Recipient 23′, a Princeton University Arts Fellow 22’, a Jerome Hill Fellow 22’, a Dance/USA Fellow 22’, and a Leslie-Lohman Museum of Art Fellow 18’. His work been presented by Abrons Arts Center, The Joyce Theater, Princeton University, The Kitchen, Danspace Project, Movement Research at The Judson Church, The Leslie-Lohman Museum of Art, CUE Art Foundation, Performance Mix Festival, and Battery Dance Festival, among others. His work has been featured in The New York Times, Art In America, The Brooklyn Rail and The Dance Enthusiast. He’s been an Artist In Residence at Loghaven Artist Residency, Brooklyn Academy of Music (BAM), The Kitchen, Danspace Project, Abrons Arts Center, Movement Research, and Center for Performance Research. In 2023, Núñez was selected by the Art In America as one of 20 New Talent artists on a global scale. The same year, he was nominated for a “Bessie,” The New York Dance and Performance Awards in the Best Performer category.

Valerie Oliveiro is a queer fluid-medium artist and activist in the performance field based in the Twin Cities and born in Singapore. While she currently engages movement as her primary motor for expression, she also presents drawing, writing, photography, video, environmental design and mixed media installation as simultaneously complicit, complexly relational proposals. Her work has been presented at Walker Art Center, Red Eye Theater, Hair+Nails Gallery and Bryant Lake Bowl.

Currently, she is one of 7 Co-Artistic Directors at Red Eye Theater, co-runs a small performance incubator MOVO SPACE and serves as Artist Council Manager for the Northern Spark Artist Council. She is also proud to be involved in the work of the MN Artist Coalition.

Kyoung H. Park is a North Korean playwright/director, born and raised in Santiago, Chile, currently living in Brooklyn, New York. As Artistic Director of Kyoung’s Pacific Beat, a peacemaking theater company, he has devised three full-length plays — disOriented, TALA, and PILLOWTALK — and created over 20 community-based, experimental projects including performances for new media. His work centers stories of (im)migration, queerness, trauma, identity and the ways these intersect in communities of color; it’s described as “intensely personal” by American Theater Magazine and “very much of this moment” by the New York Times.

Kyoung's Pacific Beat has been a resident company at The Tank, Bushwick Starr, Baryshnikov Arts Center, LaGuardia Performing Arts Center, BRIC Arts Media, Performance Project @ University Settlement, and Kyoung has worked internationally in Santiago (Chile), Rio de Janeiro, London, New Delhi, and Seoul. MFA in Playwriting: Columbia University, MA in Peace and Global Governance, Kyung Hee University.

Amanda Phingbodhipakkiya is a multidisciplinary artist, educator, TED speaker, and STEM advocate. As artist-in-residence with the NYC Commission on Human Rights, Amanda’s art series I Still Believe in Our City reached hundreds of thousands of New Yorkers through her Atlantic Terminal billboard and subway domination as well as on digital MTA liveboards and bus shelters. From large-scale murals, augmented reality (AR) experiences, 3D printed sculptures, and interactive installations, Amanda makes the invisible, visible. She has explored microscopic universes, familial memories, and the power of collective action, challenging viewers to rethink the world around them and revealing the often unseen struggles of communities of color.

Her work has been shown at the Cooper Union, Google, the Sorbonne, and recognized by Forbes, Smithsonian Magazine, and The New York Times. Earlier in her career, Amanda worked as a researcher studying Alzheimer’s Disease at Columbia Medical Center and received her MFA from Pratt Institute.

Piehole has been bringing “unexpected beauty” and “gratifying weirdness” (New York Times) to NY Theater since 2008, with an eye toward fostering audience agency. Piehole's Dislcaimer (written by Tara Ahmadinejad) is premiering at the Public's 2021 Under the Radar Festival, and they have recently collaborated with LA-based Tender Claws on The Under Presents (Emmy Finalist), a VR project which premiered at Sundance 2019, and Tendar, an AR project which premiered at Sundance New Frontier Lab 2018 (Indiecade Award 2018).

Other theater works include Ski End (New Ohio Archive Residency, LMCC Workspace Residency); Hand Foot Fizzle Face (JACK, The Drama League AIR); and Old Paper Houses (Irondale Center, The Connelly).

Piehole’s recent support includes: Made in NYC Women’s Fund, The Puffin Foundation, Foundation for Contemporary Arts and NYSCA/Art New York. Piehole Core: Tara Ahmadinejad, Alexandra Panzer, Ben Vigus, and Jeff Wood.

Sunita Prasad is a New York City based artist working in film, video, and performance. Her work has been shown in solo exhibitions at Centre Clark in Montreal, Homesession in Barcelona, and Vox Populi in Philadelphia, as well as group shows at venues including the Palais de Tokyo in Paris, Smack Mellon, and UrbanGlass in New York. Sunita has received awards from the Art Matters Foundation, the Brooklyn Arts Council, and the Warner Bros. Production Fund, as well as residencies at the Lower Manhattan Cultural Council and TAJ & SKE Projects, Bangalore. As a feature film editor, Sunita’s credits include the critically acclaimed documentary 93Queen and the Emmy-nominated Going to War.

TJ Proechel is a visual artist with an MFA in Art Theory and Practice from Northwestern University and a BFA in Photography from MICA. Through photography, video, and conceptual practices, Proechel’s work reframes historical, biographical, and imaged archives within a contemporary moment and geography. Proechel is currently finishing a long-form project called the Klingon Project, which looks at translation as a site of colonization through his grandfather’s translation of the Bible into Klingon and Klingon’s basis in the North American Indigenous language, Mutsun.

This coming summer, he is publishing an artist book, 28 Feet 8 Inches, about his attempt to actually and conceptually track down a real estate con artist. Proechel has worked as a Visiting Assistant Professor at Connecticut College in New London, CT and a part-time Professor at MICA in Baltimore, MD and exhibited broadly within the US and internationally at venues such as the Triennial of Photography in Hamburg and the Unseen Photo Festival in Amsterdam.

Camille Rankine is the daughter of Jamaican immigrants. Her first book of poetry, Incorrect Merciful Impulses, was published in 2016 by Copper Canyon Press, and her chapbook, Slow Dance with Trip Wire, was selected by Cornelius Eady for the Poetry Society of America's 2010 New York Chapbook Fellowship. She is the recipient of a 2010 "Discovery"/Boston Review Poetry Prize, and fellowships from MacDowell, the Bread Loaf Writers’ Conference, and the National Endowment for the Arts. Her poetry has appeared in Boston Review, Denver Quarterly, Gulf Coast, The New Yorker, The New York Times, A Public Space, Tin House, and elsewhere. She serves as president of the board of The Poetry Project, co-chairs the Brooklyn Book Festival Poetry Committee, and is a visiting assistant professor at The New School.

Kameelah Janan Rasheed (b. 1985) is a learner. As a learner, Rasheed grapples with the poetics, politics, and pleasures of the unfinished and uncontained. She is invested in Black storytelling technologies that invite us to consider ways of [un]learning and [un]knowing that are interdisciplinary, interspecies, and interstellar. Rasheed works across an ecosystem of iterative and provisional projects. These projects include sprawling, architecturally-scaled Xerox-based collages; large-scale text banner installations; publications; digital archives; lecture-performances; library interventions; poems/poetic gestures; and other forms yet to be determined.

Rasheed has had national and international solo exhibitions and projects at the New Museum, NY (two-person); Transmissions Gallery, Glasgow, UK; Rice University, Houston, TX; Brooklyn Public Library, NY; Brooklyn Historical Society, NY; and Brooklyn Museum, in addition to public installations with Public Art Fund and For Freedoms / Times Square Arts. Her work has also been exhibited at the 2017 Venice Biennale, and will be included in the Glasgow International, UK (2021) and Prospect.5 (2021). She is the author of two artist books, An Alphabetical Accumulation of Approximate Observations (Endless Editions, 2019) and No New Theories (Printed Matter, 2019).

Deepak Rauniyar is a writer and filmmaker.  A former critic, he became the first Nepali director to compete at a major international film festival when his debut Highway premiered at the 2012 Berlinale.  His second film White Sun premiered at the 2016 Venice Film Festival with rave reviews. The film has screened throughout the world (Toronto, Busan, Locarno, and Rotterdam, New Directors New Films), winning major awards at Venice, Singapore, and Palm Spring film festivals. It was Nepal's official selection for Academy Award Best Foreign Language Film.

In 2017 The New York Times described Rauniyar as one of "The 9 New Directors You Need to Watch." An alumnus of the Toronto and Berlinale Talent Campuses and the Cannes Cinéfondation program, Rauniyar is developing his first English Language film, High and Low. His third feature, The Sky Is Mine (TFL Co-production Award 2019), is in the advanced financing stage. He has served as a member of the jury at Locarno and Sydney Film Festivals.

Rowan Renee explores how queer identity is mediated by the law. Their work addresses intergenerational trauma, gender-based violence and the impact of the criminal justice system through image, text and installation. Their solo exhibitions include Z at Pioneer Works (2015) and Bodies of Wood at the Aperture Foundation (2017). They have received awards from the Aaron Siskind Foundation, the Rema Hort Mann Foundation, the Harpo Foundation, and were named a finalist for the 2020 NYFA Artist Fellowship in Craft/Sculpture.

Between the Lines, their current project supported by We, Women Photo, collaborates with ten incarcerated artists through correspondence based art workshops to address the impact of incarceration on LGBTQ+ communities in Florida. Their installation, No Spirit For Me (2019), is included in the critically acclaimed exhibition Marking Time: Art in the Age of Mass Incarceration, curated by Dr. Nicole R. Fleetwood, at MoMA PS1. In 2021, they will be an Artist-in-Residence at the NARS Foundation and the Center for Book Arts in New York, and Red Bull House of Art in Detroit.

Queen Drea: An architect of composed sounds derived mainly from my voice. Live and in the moment…

Queen Drea, recipient of a 2017 American Composers Forum Minnesota Emerging Composer Award, is a vocalist, performance, and soundscape artist whose pieces are often conceived under the auspices of improvisational settings which is where she thrives most. This gives her the freedom to enhance each piece as she is moved by the audience and as they are moved by her music, soundscapes and poetry, creating a symbiotic relationship between Drea and her audience.

Queen Drea has created work about depression in the Black community for Intermedia Arts, and about the loss of Black men’s lives in America at Red Eye Theater. She has been commissioned to compose soundscapes for Ananya Dance Theatre and Black Label Movement, sound design for Penumbra Theatre’s production of For Colored Girls, Pillsbury House Theatre's The Great Divide 3 and 4, is a 2020 Naked Stages Fellow with Pillsbury House Theatre and a part of Penumbra Theater's initial Ashe Lab cohort.  https://www.queendrea.com

“I have been investigating some thoughts on Black Love and how it is strong enough to withstand being denied. Acknowledging that the way we came to this country and the way our families were separated is the reason why we are separated now.  Acknowledging the pain of this reality. Acknowledging the beauty of this reality. Acknowledging Black Love in its many forms and expressing this love through my art.” –Queen Drea

Lindsay Rhyner is a Textile Artist living and working in Minneapolis, Minnesota. At the start of her career, she withdrew from school in order to make art outside of institutional influence. Through travel and exploring, Lindsay discovered a new interest in manipulating and collaging textiles, combining assorted mediums and interests such as sewing, beading, collage and painting. Lindsay Rhyner is mostly self-taught in the Textile Arts and has been working in fabric for most of her artistic career. She has focused on creating wall hangings from a variety of materials from unique sources, most being waste or second-hand textile goods.

In 2016 she received a Jerome Fellowship for Emerging Artists and had a solo show at the Minneapolis Institute of Art. In 2019 she participated in a three-month artist residency in Daegu, South Korea.

Maribeth Romslo is a director, cinematographer, and producer who believes that well told stories have the power to change the world. Her award-winning films have played at festivals across the globe. Recent projects include an original documentary series (Handmade*Mostly) for Reese Witherspoon’s new media platform called Hello Sunshine, a conceptual dance film (Kitchen Dance) about the work of women, and a documentary about student free speech in America (Raise Your Voice).

Born in Oxford, England, Safran-Hon grew up in Haifa, Israel. She received her BA Summa Cum Laude from Brandeis University, 2008, in Studio Art and Art History and an MFA from Yale University School of Art in 2010. Safran-Hon attended Skowhegan in 2012 and Art Omi in 2016. She was a 2019-2020​ Workspace Resident at Lower Manhattan Cultural Council. Safran-Hon had solo exhibitions at Slag Gallery, NYC, Brandt Gallery, Amsterdam, and Marfa Contemporary, Marfa, TX, and group shows at the Haifa Museum of Art, the Brooklyn Museum, Marianne Boesky Gallery, and P.P.O.W Gallery. She was a recipient of the BRIC Colene Brown Art Prize in 2020.

Safran-Hon's visual work reflects on the way in which political reality affects the everyday. She lives and works in Brooklyn and is represented by Slag Gallery.

Rafael Samanez was born in Bahia, Brazil and grew up in Cleveland, OH. He now resides in New York City. His work as a community organizer is a source of inspiration for his films. He has been awarded the Frederick Douglass Award, Union Square Award, New York State Assembly Citation, and New York State Senate Citation. Samanez’s films delve into the intersectionality of gender, critical race theory, migration, class, and religion. He has received a 2018 Princess Grace Award/Honoraria in film and was a John Grist Documentary/BAFTA New York Scholar.

He graduated with an MFA from The City College of New York. His work has appeared in different film festivals such as the Atlanta LGBTQ+ Film Festival, Urbanworld, The New York Latino Film Festival, Mexico Shorts, and the San Francisco Trans Film Festival.

Same As Sister (S.A.S.) is an experimental performance collective founded in 2013 by Canadian-American choreographers, Briana Brown-Tipley + Hilary Brown-Istrefi, to challenge, deconstruct, and reimagine representations of identity towards understanding. S.A.S.’s interdisciplinary commissions have been presented at venues in the US, Canada, France, Greece, and Italy including Danspace Project; BRIC Arts | Media House; New York Live Arts; Dancemakers Centre for Creation; Centre d'Art Marnay Art Centre; Kinitiras; Libreria d’Arte Contemporanea; MOMus - State Museum of Contemporary Art; and the Archaeological Museum of Messenia. They are the recipients of a Queens Council on the Arts’ 2020 Queens Arts Fund New Work Grant (Multi-Discipline); New York Foundation for the Arts’ 2019 NYSCA/NYFA Artist Fellowship (Choreography); Foundation for Contemporary Arts’ 2017 Emergency Grant (Dance); and were an Alternate and Finalist for the Jerome Foundation’s 2021-22 and 2019-20 Jerome Hill Artist Fellowship (Dance). sameassister.squarespace.com

Born in St. Thomas, U.S.V.I. and raised in Apopka, Florida, Nicole Sealey is the author of Ordinary Beast, finalist for the PEN Open Book and Hurston/Wright Legacy Awards, and The Animal After Whom Other Animals Are Named, winner of the Drinking Gourd Chapbook Poetry Prize. Her honors include a Rome Prize from the American Academy in Rome, a Hodder Fellowship from Princeton University, the Stanley Kunitz Memorial Prize from The American Poetry Review and a Poetry International Prize, as well as fellowships from the Bread Loaf Writers’ Conference, CantoMundo, Cave Canem, MacDowell, The New York Foundation for the Arts and the Poetry Project. Her work has appeared in Best American Poetry 2018, The New Yorker, the Paris Review and elsewhere.