Past
Grantees

Golnar Adili is a mixed media artist with a focus on diasporic identity. She holds a Master's degree in architecture from the University of Michigan and has attended residencies at the RockefellerFoundation for the Arts in Bellagio, Italy, Smack Mellon in Brooklyn, the Fine Arts Work Center in Provincetown, the MacDowell Colony, Ucross Foundation for the Arts, Lower East Side Printshop, Women’s Studio Workshop, and Lower Manhattan Cultural Council Workspace among others.

Some of the venues Adili has shown her work include, Nurture Art, Craft and Folk Art Museum LA, Cue Art Foundation, International Print Center NY, and the Lower East Side Printshop. Some of the grants she has received include the Pollock-Krasner Foundation grant, the NYFA Fellowship in Printmaking/Drawing/Artists Books and the Brooklyn Arts Council Brooklyn Arts Fund grant. Adili is currently a Scholarship recipient at Manhattan Graphics Center in New York City.

Hadar Ahuvia creates performances, workshops, and rituals drawing on the multidisciplinary lineages of postmodern dance and Ashkenazi Jewish diaspora. Raised in Israel/Palestine and the US/Turtle Island, Ahuvia’s work has been supported by Movement Research, Baryshnikov Art Center, Yaddo, New Music USA, the Brooklyn Arts Council, and has been presented by NYLA/DTW, the 14th St. Y., Art Stations Foundations, Danspace Project, Gibney Dance. Her work deconstructing Zionist folk dance was recognized with a 2018 Bessie nomination for Outstanding Breakout Choreographer and a mention in Dance Magazine’s “25 to Watch in 2019.” Ahuvia has shared her research at AJS, ASU, City College, Whitman College, and Yale University among others. She has collaborated with Jaffa based choreographer Shira Eviatar, is currently a performer with Reggie Wilson/ Fist and Heel Performance group, and is working with Tatyana Tenenbaum in recasting their sonic and embodied jewishness.

Justin Allen makes performances and writes poems and essays to understand personal and collective relationships to time, social context, and place. He has shared his work at The Poetry Project, Brooklyn Museum, BAAD!, and ISSUE Project Room where he was a 2020 artist-in-residence. He has received support from Franklin Furnace and Foundation for Contemporary Arts.

Flavio Alves is a Brazilian writer and film director. He was granted political asylum in the United States in 1998. Shortly thereafter, he attended Columbia University, where he earned an undergraduate degree in Political Science. After graduating, Alves worked as an assistant to then-New York Senator Hillary Rodham Clinton (D-NY). In 2007, Flavio returned to school to study film production at NYU, where he received the Technisphere Award for Outstanding Achievement. His debut feature film, The Garden Left Behind (2019), premiered at SXSW, where it won the Audience Award. In 2018, Alves received The Film Society of Lincoln Center’s Artist Academy fellowship, and in 2019, he was selected to Ryan Murphy’s HALF Initiative Directing Program, aimed at creating equal opportunities for minorities behind the camera. He is also the recipient of grants from numerous organizations, including the New York State Council on the Arts (NYSCA) and PEN America.

Truth Bachman is a composer, vocalist, and writer of socially-focused musicals. Described by the New York Times as ”musically and vocally rich”, they are praised for “golden-voiced”, “soulful vocals” (Vulture). Bachman’s acclaimed Shapeshifters, about LGBTQ heroes, was developed at an ongoing residency at Joe’s Pub, Musical Theatre Factory, Rhinebeck Writers Retreat, and was the inaugural recipient of the Denovan Grant. Truth Bachman's FARMED: A Live Podcast Album features a vocally percussive score for 25 voices, and was recently published. Select original musicals: Chasing Fear, Pyre Cantata, Coromandel, and Piano Bar, with Liz Swados. Truth is an alum of New Dramatists Composer-Librettist Studio, Joe’s Pub Working Group, and NYU Tisch. @truthbachman

Maria Bauman is a Bessie-Award-winning multi-disciplinary artist and community organizer from Jacksonville, FL. She creates bold artworks for her company MBDance based on physical and emotional power, insistence on equity and intimacy. She is also a sought-after facilitator and speaker on leadership development and on racial equity in the arts. With her colleagues who co-founded ACRE (Artists Co-creating Real Equity), Bauman was honored with the 2018 BAX Arts and Artists in Progress Award for the work you do to undo racism in our daily lives. Currently, she's an Urban Bush Women Choreographic Center Fellow and a BRIClab resident artist. In January 2021, Bauman and MBDance are premiering her Desire: A Sankofa Dream via co-commission by BAAD! and 651 ARTS. The piece is a live online experience in choice-making in community, with Black Queer survival techniques as foundation.

Victoria Blanco's debut book of nonfiction, Out of the Sierra, will be published by Coffee House Press. Her writing has appeared in The New York Times, Guernica, Catapult, KROnline, and others. She is a graduate of the University of Minnesota MFA. She lives in Minneapolis with her husband and three children.

Alexandra Bodnarchuk (she/her) is a Carpatho-Rusyn-American dance artist. Her works reframe, identify, and re-contextualize her programmed responses to body shaming and the intimate violence of female perpetuated sexism. She pursues the question ‘what is honesty’ as a choreographic prompt and a commitment to the physicality of weight. She frequently collaborates with sound designer Brandon Anderson Musser, most recently on Heritage Sites (2020), a dance film. Her works have been supported by the Cowles Center for Dance & the Performing Arts, Threads Dance Project (commission), Performing Institute of Minnesota (commission), Candy Box Dance Festival/Arena Dances, Catalyst Arts, Zenon Dance Zone, Future Interstates, The Kelly Strayhorn Theater, Children's Museum of Pittsburgh, Dollar Bank Three Rivers Arts Festival, Greater Pittsburgh Arts Council, and Mary Lipple Memorial Fund. She holds a B.F.A. in Dance Performance and Choreography from Ohio University and performs with Black Label Movement.

Archie Bongiovanni is a genderqueer cartoonist and illustrator living in Minneapolis. Their graphic novel, A Quick And Easy Guide To They/Them Pronouns has been praised by School Library Journal, Publisher's Weekly and was one of YALSA's Great Graphic Novels For Teens. Their second graphic novel, Grease Bats was released by BOOM! Studios in fall 2019 and their third graphic novel Mimosa is slated for publication with Surely Press in 2022. Bongiovanni's work has appeared in The New Yorker, Autostraddle, Vice, and The Nib.

Yacine Boulares is a Brooklyn based saxophonist, composer and songwriter whose work explores folk traditions of North and West Africa perceived through the prism of chamber music and Jazz. It seeks to reflect on social and political issues from an alternative perspective.

In 2009 Yacine moves to NYC on a Fulbright scholarship. Soon he starts touring with Fela Kuti's ex drummer Jojo Kuo and Haitian Kompa legends Tabou Combo. These influences urge him to explore his own heritage and lead to the composition of two albums with AJOYO, a brew of African tradition, jazz and soul.

In 2014 he is a soloist and arranger on Placido Domingo’s album, meets cellist Vincent Segal and decides to explore the Tunisian Stambeli repertoire with drummer Nasheet Waits. In 2015 Abu Sadiya is granted the FAJE, AFAC and Brooklyn Arts grants.

In 2019 Yacine is part of the Joe’s Pub Working Group and founds Shems Records, the Rise Up Brooklyn festival and the Habibi Festival at Joe’s Pub.

Salty Brine is a New York-based cabaret artist, playwright and actor. He is the creative force behind The Living Record Collection, a series of cabaret performances which weave together iconic, popular albums with cultural touchstones from classic literature to opera and beyond; each album performed with a live band and Salty’s unique brand of memoir-esque storytelling. The Collection contains 20 shows and counting.

Salty received a 2017 Bistro Award in Outstanding Creative Artistry. He is in residence at NYC’s jewel-box supper club, Pangea. And he is a current member of the Joe’s Pub Working Group.

As bookwriter, Salty is in collaboration with composer Alan Menken on a new musical.

Selected performance credits: The Elementary Spacetime Show (Ars Nova, FringeArts); Clown Bar (Pipeline Theater Company, The Box); The Poor of New York (Connelly Theater, dir. Tyne Rafaeli); Straight Talk (Dixon Place); Taylor Mac’s The Lily's Revenge (HERE).

Stephanie Chou is a composer, saxophonist, and singer based in NYC. Her music combines classical and Chinese influences with jazz and pop harmonies and rhythms to create an entirely original, bi-lingual musical world. Chou studied mathematics and music at Columbia University. In 2011, she released Prime Knot, a jazz quintet CD featuring trumpeter Marcus Printup (Jazz at Lincoln Center). Her 2012 work CforG was commissioned/choreographed by former American Ballet Theatre principal ballerina Susan Jaffe.

Steph’s 2017 album Asymptote features fresh takes on Chinese classics including "Kangding Love Song", "The Moon Represents My Heart", and a tongue-twister about "Eating Grapes." Asymptote features erhu mixed with a jazz rhythm section. She's performed in Taipei, Beijing, throughout NYC at venues including Carnegie Hall, Lincoln Center, Joe's Pub, Alice Tully Hall, and B.B. King's, and in festivals in Italy, Vermont, and Pennsylvania.

She received the 2016 JFund, a grant from the American Composers Forum, to write Comfort Girl—a musical exploration of the lives of 'comfort women' who were abducted into sexual slavery by the Japanese army during WWII. Comfort Girl premiered at Joe's Pub in 2019.

Shayok Misha Chowdhury is a writer, director, and many-tentacled maker. He is the creator of VICHITRA, an experiment in queer South Asian imagination; recent episodes premiered at The Bushwick Starr, Ars Nova, and HERE Arts Center, where Misha is a Resident Artist. Currently a Project Number One Artist at Soho Rep, Misha is an alumnus of The Public’s Devised Theater Working Group, Soho Rep’s Writer/Director Lab, Ars Nova’s Makers Lab, New York Theatre Workshop’s 2050 Fellowship, and residencies at BRIC, The Drama League, and SPACE on Ryder Farm.

Recent: MukhAgni (Under the Radar); How the White Girl Got Her Spots and Other 90s Trivia (Joe’s Pub). Upcoming: a collaboration with Aleshea Harris (New York Theatre Workshop); Rheology (HERE Arts Center); SPEECH with Lightning Rod Special.

A NYFA/NYSCA, Fulbright and Kundiman fellow, Misha has been published in The Cincinnati Review, TriQuarterly, Hayden’s Ferry Review, Asian American Literary Review, and elsewhere. shayokmishachowdhury.com