Past
Grantees

The Jerome Foundation made a two-year grant of $30,000 to CORNING DANCES & COMPANY, Cottage Grove, Minnesota, in support of the development of new works in the 2000-01 and 2001-02 seasons. The Company creates provocative and accessible dance works that address compelling issues; and it works with communities to deepen the impact of those messages. Support will be used to develop four new works. One is a continuation of the Glue Factory Project, premiered in early 2000. Another is titled IsadoraThe Rearview Mirror, a solo dance play in which Corning will embody Isadora as she might appear on the cusp of the 21st Century, in a nonlinear, creative nonfiction work.

The Jerome Foundation renewed its general support of and membership in the COUNCIL ON FOUNDATIONS, Washington, D.C.

Painter SANTIAGO CUCULLU received a grant to spend five days in the Badlands of South Dakota to gather material for a wall piece. A previous trip to the Badlands yielded photographic source material that was incorporated into a suite of screen prints and a site-specific wall painting by the artist.

The CIRCUM-ARTS FOUNDATION, New York City, is a multipurpose arts service organization that frequently acts as fiscal agent for independent artists. Composer NATHAN CURRIER, an established mid-career composer, received through the fiscal agent sponsorship of Circum-Arts Foundation, a grant of $15,000 toward the development of a new work titled Gaian Variations. The work is an expression through music, text, some projections and limited staging of the Gaia hypothesis, a scientific theory that is based on the idea that the Earth itself is a living organism. British scientist James Lovelock will provide the text, expounding upon his theory. Currier made the case that this work represented a significant risk for him, and that it had the potential to define his career long after the premiere.

Funding was awarded to documentary photographer STEPHEN DAHL to travel to Washington, D.C., in order to show his photographic portfolio on Labor in Contemporary Industries to curators at the National Museum of American History, the Smithsonian and the Library of Congress where he hopes to sell his work and to secure exhibitions

DANCE SPACE CENTER, New York City, received a two-year commitment of $40,000 in support of choreographic commissions and performances. Funding is directed toward the annual concert In the Company of Men, which showcases the resources and strengths of today's male choreographers. It also pays homage to male choreographers no longer living and inspires the next generation to enter the dance force. These shared concerts feature a mix of established and emerging choreographers, with broad cultural and stylistic diversity. Jerome funding is directed toward emerging choreographers' commissions.

The MINNESOTA DANCE ALLIANCE, Minneapolis, Minneapolis, received a grant of $30,000 in support of Dancer Pool. The Alliance's mission is to support and foster dance arts in the state. Jerome Foundation has been supporting Dancer Pool since 1981. This program provides funds to pay rehearsal fees for dancers working with emerging independent choreographers. Monies may be used to experiment with dancers in new areas of movement, to develop and create new pieces, and to reconstruct past choreographic work to be used in upcoming performances. Dancer Pool grant recipients were Jelena Petrovic, Gerry Girouard, Matthew Jenson, Cynthia Gutierrez-Garner, Sarah Hauss, Morris Johnson and Brad Garner. An enhancement to the program was also supported, the production of the work of Dancer Pool grant recipients Gutierrez-Garner and Jenson.

DANSPACE PROJECT, New York City, was founded in 1974 to provide an affordable performance venue for independent experimental choreographers. It encourages choreographers to take risks and realize their artistic visions in a professional setting, and have their work viewed by an educated and receptive public. Danspace has presented a number of pioneering artists at early stages of their careers. For the past five years, the Jerome Foundation has supported commissions to independent emerging choreographers through Danspace Projects commissioning program. A two-year commitment of $55,000 was authorized toward emerging choreographers commissions.

A grant was awarded to LISA DiLILLO for Tongues Don't Have Bones, a 30-minute experimental documentary journey into Burma (Myanmar), that will look behind the faade of censorship and iron control put into place by the current military regime.

OPEN CHANNELS/DIXON PLACE, New York City, received a two-year grant of $50,000 to support commissioning and development fees for emerging artists. Dixon Place is a laboratory that provides artists with an opportunity and a place to test new ideas and new performance techniques. A portion of the Jerome grant will be paid to artists in the form of fees for the presentation of works-in-progress. A large part of Dixon Places mission is carried out through monthly curated series in performance, theater, dance and literature. Dixon Place also received support for a program that brings emerging and under-recognized artists to the attention of the public through extended runs and targeted publicity efforts. Commissions will be awarded to eight artists or groups to create new works for this extended run series.

HALEAKALA, INC., also known as THE KITCHEN, New York City, received a grant of $12,000 to support the development and production of a new work titled Wind, created by DD Dorvillier. The Kitchen is a multidisciplinary presenting organization that has long been known as an incubator for artists work. It served as fiscal agent for Dorvillier, a dance and performance artist whos been creating works that are an eclectic mix of set and improvised dance states, using music, strange and absurd characters, and cartoon-like scenography with an affinity for the extreme and bizarre. Wind is the story of brothers facing mortality and weather, two invisible forces, which engrave their textures onto the human spirit.

Percussionist REINILSON DOS SANTOS received a grant to travel to Cuba to explore the traditional and cultural roots and rhythms of Cuba and Brazil. dos Santos will expand his knowledge of percussion styles through cultural music workshops at the National School of Fine Art in Havana.

Photographer NATASHA DSCHOMMER received a grant to spend eight days in Princeton, New Jersey, photographing first editions of Galileo, Copernicus and Ptolemy for her extended work on the beauty of rare books. DSchommer will create a visual juxtaposition of the different philosophies represented by the stargazers.

EL MUSEO DEL BARRIO, New York City, received a two-year grant of $45,000 to support the participation of emerging artists in its exhibition program, primarily in the Contempornea series. El Museo, now celebrating its 30th anniversary, collects, preserves, exhibits and interprets works of art that reflect the cultural heritage of Latin Americans in the United States. It presents major exhibitions, interpretive events and educational programs. Support from Jerome Foundation goes toward Contempornea, a series designed to provide emerging and under-recognized artists with significant opportunities to create and exhibit new works that advance their artistic development and professional careers. This is a showcase for works that push boundaries and challenge conventions.

JACK EL-HAI, received funding to travel to Southern California and Hawaii to conduct interviews and research letters relating to the life and death of his uncle Joshua El-Hai, in order to write a work of creative nonfiction. In 1943, a U.S. Navy plane carrying 12 crew members vanished over a remote and rugged region of New Guinea. Joshua El-Hai was the 27-year old Brooklyn born radio operator of that crew

ELEVATOR REPAIR SERVICE, New York City, received $15,000 toward the development and production of new work in its 2000-2001 season. This performance ensemble combines found objects and texts with elements of slapstick comedy, dance, sophisticated audio design and literature. Funding will support a season that begins with the final stage of work on a new piece titled Highway to Tomorrow, which will be presented in an extended run in New York. Throughout the season, the company will generate additional new work, shown as works-in-progress at a benefit in 2001. In the spring of 2001, the company will conduct workshops with second and third grade students and begin incorporating that work into a new production.

JULIE ELHARD, is a string musician and teacher who received funding to spend two weeks in Seattle, Washington, studying early music performance on the vielle and viola da gamba with Margret Tindeman. Elhard performs medieval and renaissance music on these instruments and plans to create a professional da gamba consort.

ETHOS PERCUSSION GROUP, New York City, is dedicated to the advancement of the percussive arts in performance and education. It embraces musical styles from around the globe. Its programming highlights the players vibrant musicianship as well as an extensive and unique collection of instruments. The Jerome Foundation made a two-year grant of $54,000 to Ethos in support of the commissioning of new works for performance by emerging composers. This ensemble is positioned well to utilize a variety of cultural drumming styles. A commissioning program not only builds repertoire for Ethos but also builds repertoire for the genre. This is the third such grant made to the ensemble following two years of successful commissioning.

TIRTZA EVEN & BRIAN KARL, received a grant for the production of Far, Along, an experimental documentary that will examine memory traces of World War II as they interpret, rewrite and gradually depart from the constantly evolving present day Germany.

EXIT ART, New York City, received a grant of $22,500 to support the participation of emerging artists in exhibition programming. Exit Art has established a dialogue that places diverse histories, values and aesthetic sensibilities within a contemporary context. Its facility houses two exhibition spaces, a performance space, a caf and a store that features artists multiples and prints. In addition to including emerging artists in nearly all of its exhibitions, Exit Art organizes at least two shows each year focusing solely on young and emerging artists.