Past
Grantees

A two-year grant of $30,000 was approved for the LOWER EAST SIDE PRINTSHOP, New York City, in support of the participation of emerging artists in the Artist Workspace Program. Established in 1968, the Printshop is a community-based arts organization that promotes and advances the art of printmaking. Services for printmakers include a studio available at subsidized rates, free art supplies, master printer assistance, scholarships, and fellowships. The Artist Workspace Program provides critical support for emerging and under-recognized artists through studio access, financial and technical assistance, and professional growth and exposure opportunities.

No Press Release Information on this Grant

The LOWER MANHATTAN CULTURAL COUNCIL, New York City, received $20,000 in support of the World Views Artist Residency Program. The Council provides support for Lower Manhattan artists and arts organizations and fosters public participation in the arts through free performing, visual, and new media events. World Views is an artist residency program that provides alternative space for emerging artists to create new work, creates an interactive environment for artists from diverse backgrounds, provides exhibition and professional opportunities, and helps emerging artists advance their careers. Residents working in video, photography, painting, new media, sculpture, and installation are chosen through a competitive application and panel review process.

Jerome Foundation Directors authorized a grant of $8,000 to the LOWER MANHATTAN CULTURAL COUNCIL, New York City, in disaster relief funding. This was in addition to a $15,000 emergency grant, authorized in September, for the artists in the 2001 World Views Program.

No Press Release Information on this Grant

LYNN LUKKAS, Minneapolis, MN, received funding to support The Oculus Projects: South Africa, an interactive video installation that employs a machine/human interface to read the biological functions of the human body to control the projection of video and sound.

A $15,000 grant was awarded to MAD ALEX ARTS FOUNDATION, New York City, to support the participation of emerging writers in MAD ALEX Presents. MAD ALEX is dedicated to presenting the work of emerging writers and honoring those who serve as role models to younger generations by virtue of sustained commitment to their field. MAD ALEX gives opportunities to emerging writers to have their works taken seriously in a longer than usual reading format. A special initiative of reading novels-or-other-ongoing-work-in-progress is an important addition to the programs supported by MAD ALEX.

A grant of $12,500 was awarded to J. MANDLE PERFORMANCE, Brooklyn, New York, in support of the development and production of Room and development of Pedestrian Traces, in the 2001-02 season. Founded in 1996 by Julia Mandle, the organization creates and produces performances, often site-specific, in unexpected public locations and unconventional venues. Mandles productions are realized through her signature costume-defined choreographya process that involves dance movement inspired by the design and structure of clothing. Pedestrian Traces is an outdoor, site-specific performance that examines pedestrian behavior and movement patterns as they relate to urban planning. Room is a series of small-scale, indoor performance installations that explore perception in corporate work environments and how intimacy is mediated between public and private spaces.

The MANHATTAN NEW MUSIC PROJECT, New York City, received a grant of $10,000 to support the creation and performance of a new music/sonic work at outdoor public spaces in New York City. The Manhattan New Music Project presents programs in jazz and contemporary music both in concert and club settings. Incorporating lessons learned through a 2000 site-specific project, composer Paul Nash will develop, customize and deploy triggering software programming and wireless technology to support a new sonic work for ten musicians performing an open score. Nash will seek sites that have overall aesthetic appeal, contrasting architecture and/or landscape elements, a high degree of public use and pedestrian traffic and sufficient quiet for acoustic instruments to project across the space of at least one city block. The events will include live performance as well as installation elements, contributing to a robust interactive space for audiences.

ADAPTORS, INC./MARGOLIS BROWN THEATER COMPANY, Minneapolis, Minnesota, received a grant of $7,500 for its Artist-in-Residence Program, piloted last year. The Program offers comprehensive artistic support to one emerging theater artist for one season, allowing that artist to research, develop, and produce new work. Margolis Brown is a multimedia movement theater company that creates and produces works that are provocative, socially relevant, and accessible; introduces experimental physical theater to broad audiences; and fosters the development of artists through a professional training program.

Executive Director Mary Martin of the Women's Art Registry of Minnesota (WARM) was awarded a grant to take part in a Leaders Circle professional development program offered by the Management Assistance Program for Nonprofits. Martin will focus on leadership and work delegation issues in her duties as an arts administrator.

Funding was awarded to AARON MATTHEWS for A Panther in Africa, an in-depth portrait of Pete ONeal, founder of the Kansas City chapter of the Black Panthers and an American exile living in Tanzania. It is the story of how a 1960s radical who advocated violence becomes a global activist who advocates community service.

Shawn McConneloug received funding to learn more about national and international touring for her performance company Shawn McConneloug and her Orchestra. Consultants will teach McConneloug about developing a touring plan and creating a database of presenters. This is McConneloug's first touring initiative.

MEDIA ALLIANCE, New York City, supports, promotes and advocates for independent film, video, audio, radio and digital arts in New York State. In 1998, Media Alliance created an Independent Radio/Sound Art Fellowship Regrant Program, designed to provide emerging artists in the fields of radio and sound with production funds necessary to create new works. An open call encourages artists to apply as individuals. A selection panel chooses the projects to be supported. Three grants of $5,000 each are available. The Jerome Foundation awarded $23,000 for this program.

The MEDIA ARTISTS RESOURCE CENTER, St. Paul, Minnesota, promotes the production of media works by independent artists from all communities and provides access to low cost media equipment and facilities to these artists in a supportive and educational environment. It offers media arts classes, hosts media arts production events and sponsors access grant programs to encourage diversity in media arts production. A grant of $10,000 was authorized to support programs and services for emerging media artists.

A grant of $23,000 was authorized for MEET THE COMPOSER, New York City, in support of emerging composers who receive support from the Meet The Composer Fund. Of that total, $15,000 is allocated for New York City composers and $8,000 for Minnesota composers. Meet The Composer fosters the creation, performance and recording of music by American composers and develops new audiences for their works. The organization brings composers into personal contact with their audiences. In addition to a wide range of programs that provide financial support to composers, Meet The Composer also offers professional advice, career counseling and encouragement in the early stages of composers careers.

A grant of $10,000 was awarded to the NEW YORK FOUNDATION FOR THE ARTS, New York City, as fiscal agent for YIN MEI DANCE, in support of the creation of /Asunder, a collaboration among Yin Mei, composer Robert Een, visual artist Cai Juo Qiang and poet Mark Strand. It will be premiered at Danspace Project and will tour. Thematically, /Asunder explores notions of lovethe effects of its presence and absence, the consequences of its pursuit and loss, and the striving toward an emotional and spiritual understanding. The genesis lies within choreographer and dancer Yin Meis contemplative practice and her personal examination. Her aesthetic employs Chinese energy direction, reminiscent of Tai Chi, and spatial principles as a means of creating dance within the rubric of Western avant-garde dance theater.

SCOTT MILLER, Minneapolis, MN, received support for Shape of A Shadow, a collection of ten, 2-minute, 16mm shorts presented individually as 2-minute segments and collectively as a 20-minute film. Its an analogous look at the personal travails of Miller, from technophobia to an eventual understanding and union of modern tools and fundamental techniques.

The MINNEAPOLIS COLLEGE OF ART AND DESIGN, Minneapolis, Minnesota, received a grant of $80,000 in support of the 2001-02 MCAD/Jerome Fellowship Program. The Fellowship Program enables Twin Cities visual artists of emerging talent to commit a year of focused time to creative work. Five artists receive stipends of $9,000 each, critical assessment through visits from nationally recognized critics and curators, equipment and shop access, and a culminating exhibition and catalog.

The Jerome Foundation renewed its membership in and provided general support for the programs of the COUNCIL ON FOUNDATIONS, Washington, D.C.; the MINNESOTA COUNCIL ON FOUNDATIONS, Minneapolis, Minnesota; and GRANTMAKERS IN THE ARTS, Seattle, Washington. A total of $32,170 was authorized for three service organizations important to the fields of philanthropy and the arts.